The Washington National Opera, where Francesca Zambello is the artistic director, outpaced other big American companies in hiring women as conductors and directors.
Tickets will go on sale in April. MOZART: Idomeneo, re di Creta, K. 366 FEATURED CONDUCTOR & ARTISTS Robert Spano, Music Director Matthew Polenzani, Tenor Francesca Zambello, Director Alan Fletcher,…
The image gallery from this past summer's production of The Sound of Music at the Glimmerglass Festival have been added to my website.
Throughout the fall, I’ve been traveling between New York (both the City and Cooperstown), Washington, and Kansas City, MO, following the progression of autumn at its most flamboyant. I last…
Greetings from Vienna Guten Tag…or rather…Grüß Gott. In Germany you always greet someone with Guten Tag, but in Austria, the preferred expression is Grüß Gott — which roughly means “God…
During Francesca Zambello’s 12 years as the festival’s leader, she did what she set out to do: took on “complex issues through storytelling and music making.”
In her final season as artistic director, she presents a comedic Rossini pastiche, ‘The Sound of Music,’ ‘Carmen’ and a thematically linked double bill of ‘Taking Up Serpents’ and world premiere ‘Holy Ground’
“We create shows so people can talk about them and talk about the ideas, whether they’re serious or you put it down to entertainment.”
“Let’s do a Rossini comedy that doesn’t exist yet,” the head of the Glimmerglass Festival [Francesca Zambello] said.
Zambello's New Staging at LA Opera: 'As Good as Aida Gets.'
Beethoven in Virtual Reality
